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| tracks 1-6: Olympic Studios, London, England (Sept. 20 -
Oct. 10, 1968) |
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| track 7: Morgan Studios, London, England (June 1969) |
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| 1. Babe I'm Gonna Leave You (6:58) full band, take eight
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| 2. Babe I'm Gonna Leave You (6:14) full band, take nine
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| 3. You Shook Me (7:53) |
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- take one, cut - different arrangement from the album; this has bass and no
organ.
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| 4. Baby Come On Home (Tribute To Bert Burns) (8:50) |
- - take one - instrumental (0:00 - 1:23)
- - take two - instrumental (1:45 - 2:49)
- - take three - final, uncut recording (3:31 - 8:50)
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| 5. Classical Guitar 'n' Church Organ (15:51) |
- - take one (0:00 - 2:41)
- - take two (3:06 - 7:17)
- - take three (7:37 - 12:37)
- - take four (12:59 - 15:47)
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| 6. More Classical Guitar 'n' Church Organ (21:34) |
- - take one - church organ intro (0:17 - 0:47)
- - take two - inc. faster guitar (0:55 - 2:02)
- - JP apologizes for messing up
- - take three - inc. Dracula-esque organ (2:18 - 3:55)
- - JP asks what he's doing wrong
- - take four - omenous, distorted organ (4:11 - 6:56)
- - take five - guitar comes in early (7:08 - 11:19)
- - take six - best take
yet! (11:36 - 16:31)
- - take seven - glassy distortion on the organ (16:48 - 21:32)
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| 7. Sugar Mama (2:58) completed, mixed studio outtake
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| track 1: Olympic Studios,
London, England (Nov. 1969) |
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| track 2: Electric
Ladyland Studios, New York, NY (June 1972) |
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| track 3-5: Headley
Grange Studios, Hampshire, England (May-June 1970) |
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1. Jennings Farm Blues (Bron-Yr-Aur Stomp) (24:51)
- - take one - short jam (0:00 - 1:18)
- - take two - jam becoming more like
"Bron-Y-Aur Stomp" (1:55 - 3:16)
- - take three - guitar intro -->
"Stomp" jam (3:50 - 4:29)
- - take four - guitar intro --> jam (4:36 -
5:22)
- - take five - jam falls apart after the intro
(5:26 - 5:42)
- - take six - long cool "Bron-Y-Aur
Stomp" jam (5:48 - 10:20)
- - take seven - different jam, ends suddenly
(10:31 - 12:40)
- - take eight - short intro --> long jam
(12:54 - 16:16)
- - take nine - intro --> "Stomp"
jam (16:45 - 17:47)
- - take ten - jam dies quickly (17:58 - 18:20)
- - take eleven - full song with overdubs,
licks, solos, percussion (18:30 - 24:45)
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2. No Quarter (early rehearsals) (25:06)
- - take one - instrumental, no overdubs/guitar
solo (0:00 - 7:24)
- - intro take 1 (7:52 - 8:09)
- - intro take 2 (8:23 - 8:38)
- - take two - instrumental, cool drums,
keyboard overdubs (8:42 - 16:25)
- - intro take 3 (17:00 - 17:40)
- - take three - full version with vocals,
bass, synth-like guitar solo (17:47 - 25:02)
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| 3. That's The Way (5:34) - alternate
mix of the final recording |
4. Hats Off To (Roy) Harper rehearsal jam (7:04)
- - includes "Feel So Bad",
"Fixin' To Die", "That's Alright Mama" and
more...
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| 5. Since I've Been Loving You (7:33) - unedited,
unmixed final recording |
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| track 1: Headley
Grange Studios, Hampshire, England (May - June 1970) |
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| track 2-3: Mirror
Sound Studios, Los Angeles, CA (May 1969) |
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| track 4-5: Bron-Yr-Aur
Cottage, Wales (May 1970) |
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| track 5 (the last three takes -
45:20-54:38)-6: Headley Grange Studios,
Hampshire, England (Dec. 1970 - Jan. 1971) |
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| 1. Since I've Been Loving You (vocals) (3:03) - only
Plant's vocals from beginning of the song |
| 2. Moby Dick (1:39) - the intro and
coda of the song |
| 3. Bonzo! (6:59) - unedited drum
solo used on "Moby Dick" |
| 4. I Wanna Be Her Man (1:43) |
5. Guitar from Bron-Yr-Aur (54:38)
- - take one - calm guitar strumming (0:00 -
0:42)
- - take two - a little fancier (0:42 - 1:53)
- - take three - two guitars (1:53 - 2:37)
- - take four - acoustic guitar with Plant
humming (2:37 - 3:43)
- - take A - vaguely "Seaside" on
acoustic (3:43 - 4:51)
- - take five - hummed "Seaside"
combined with take one (5:00 - 7:20)
- - take six - fast jaunty intro to the take
five rhythm (7:20 - 9:38)
- - take seven - loose guitar strum, exotic
tuning (9:56 - 11:16)
- - take eight - more messing around, lots of
picking (11:16 - 12:58)
- - take nine - long neat song, with overdubbed
lead (13:21 - 18:32)
- - take ten - brief rhythm (18:32 - 18:43)
- - take eleven - rhythm and lead become
"Down By The Seaside" like (18:43 - 19:56)
- - take twelve - messing around with a lead
overdubbed (19:56 - 22:40)
- - take thirteen - new rhythm, bluesy lead,
Plant mumbles some vocals (22:40 - 23:50)
- - take fourteen - faster blues... includes
"Gallows Pole" at 24:35, then to the
- - "Seaside" chords... more
"GP" at around 26:00 (23:50 - 29:50)
- - take fifteen - "Gallows Pole"
rhythm continues with a sweet acoustic lead (29:56
- 31:35)
- - take sixteen - calmer "Down By The
Seaside" rhythm, nifty lead over a classical rhythm
(31:35 - 34:25)
- - take B - short take of "Down By The
Seaside" (34:34 - 34:44)
- - take C - more "Seaside", now with
Plant singing lyrics (34:44 - 37:49)
- - take D - fast twist part of
"Seaside" with lyrics (37:49 - 40:10)
- - take seventeen - more guitar with some
Plant vocals (40:10 - 41:55)
- - take eighteen - fast blues with a frenzied
lead (41:55 - 43:47)
- - take nineteen - brief vocals, strange
strumming (43:47 - 45:16)
- - take twenty - "Stairway To
Heaven" intro with piano, no recorders (45:20 - 49:08)
- - take twenty-one - cool piano, acoustic
solo, sounds like "Black Dog" rhythm (49:08
- 53:11)
- - take twenty-two - acoustic rehearsal of
"Black Dog"! (53:11 - 54:38)
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| 6. Black Dog (acoustic) (:28) |
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| track 1: Jimmy
Page's Home Studio / Headley Grange, Hampshire, England (Dec. 1970
- Jan. 1971) |
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| track 2: Olympic
Studios, London, England (June 5, 1970) |
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| track 3: Rolling
Stones Mobile Studio, Stargroves, England (May 1972) |
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| track 4:unknown |
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1. Guitar From Page (42:57)
- - take one - one guitar, sort of like the
"Ten Years Gone" intro (0:00 - 1:25)
- - take two - nice, calm guitar (1:25 - 2:02)
- - take three - slow version of take two (2:02
- 4:09)
- - take four - lots of acoustic diddling,
distantly related to "The Rain Song" (4:24 - 6:23)
- - take five - another attempt at take four
(6:23 - 7:51)
- - take six - JP plays piano... sounds like
"The Rain Song" guitar part too! (7:51 - 10:54)
- - take seven - solo guitar, includes
"Ten Years Gone" riff (11:15 - 14:30)
- - take eight - guitar something like
"The Rain Song" (14:45 - 15:37)
- - take nine - similar to take eight, even
more like "The Rain Song" (15:37 - 17:11)
- - take ten - weird slow acoustic slides like
"The Rain Song" (17:11 - 18:18)
- - take eleven - similar to ten (18:18 -
19:58)
- - take twelve - sounds very familiar, but I
can't place it! Help! (19:58 - 21:23)
- - take thirteen - heavier acoustic guitar
(21:23 - 23:45)
- - take fourteen - solo acoustic
"Bolero" jam... very cool! (23:45 - 24:42)
- - take fifteen - one pretty guitar (24:56 -
29:20)
- - take sixteen - early rock sound with a
familiar bluesy rhythm (29:51 - 31:23)
- - take seventeen - thick rhythm with a quick
solo (31:23 - 33:28)
- - take eighteen - same as take sixteen (33:40
- 35:09)
- - take nineteen - 50s rock rhythm (35:09 -
35:57)
- - take eighteen repeated
- - take twenty - two slithery guitars, starts
to head towards "The Rain Song" (36:16 - 37:47)
- - take twenty-one - one guitar strumming
(37:47 - 39:25)
- - take twenty-two - carnivalesque piano
interlude... played by Page? (39:25 - 39:49)
- - take twenty-three - JP sings! plays guitar!
rocks! (39:49 - 42:22)
- - take twenty-four - acoustic take of the
fast part of "Hots On For Nowhere" (42:22 - 42:53)
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| 2. Poor Tom (instrumental) (3:18) - very
warped sound quality |
| 3. Walter's Walk (instrumental) (4:37) - instrumental
outtake used on "CODA" |
| 4. Guitar (:08) - 8 magical seconds! |
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| track 1: Bron-Yr-Aur Cottage,
Wales (May 1970) |
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| track 2-6: Headley Grange,
Hampshire, England (May - June 1970) |
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| track 7-15: Bron-Yr-Aur Cottage,
Wales (May 1970) |
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| 1. Friends (instrumental) (3:26 |
| 2. Immigrant Song (2:40) - early
rehearsal |
| 3. Out On The Tiles (3:32) - early
rehearsal |
| 4. Bron-Y-Aur (1:37) - with congas
and a baby crying |
| 5. Poor Tom (3:20) - two takes |
| 6. Hey Hey What Can I Do (1:46) - rehearsal |
| 7. Guitar Instrumental (2:15) - fun
and complete |
| 8. Guitar Instrumental #2 (2:05) - quiet,
with a distant voice |
| 9. Poor Tom (3:33) - Page and Plant
demo |
| 10. Guitar Piece (2:05) - complete
acoustic guitar duet... could have been another
"Bron-Y-Ar" |
| 11. Acoustic Duo (1:27) - Plant hums
along to Page's guitar |
12. That's The Way (rehearsals) (9:07)
- - take one - one guitar and Plant... angrier
and faster (0:00 - 2:46)
- - take two - similar, with more guitar
experimentation (2:50 - 4:22)
- - take three - guitar intro (4:25 - 4:49)
- - take four - guitar from the chorus with
Stryder barking! (5:00 - 5:35)
- - take five - almost completed song with
finished lyrics (5:40 - 9:07)
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| 13. Friends (instrumental #2) (1:22) - with
bongos, guitar, and Plant scat-singing |
14. Bron-Y-Aur / Guitar Fun (8:28)
- - take one - "Bron-Y-Aur" theme
with some different directions (0:00 - 2:20)
- - take two - fancier instrumental, similar to
"Bron-Y-Aur" (2:20 - 3:24)
- - take three - very cool, long guitar piece
(3:25 - 8:28)
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| 15. Guitar Fun (1:59) - two more
takes from previous track |
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| track 1-9:
Headley Grange, Hampshire, England (Dec. 1970
- Jan. 1971) |
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| 1. Black Dog (6:56) - All four
members hard at work on figuring out their parts |
| 2. No Quarter (4:05)- crazy fast
early instrumental with Plant scat-singing and some great drums |
| 3. Stairway To Heaven (instrumental takes) (7:01) |
|
- Jones on piano and Page on guitar work the song
out together |
| 4. Guitar Riff (1:01) - where's this
from??? |
| 5. Stairway To Heaven (vocal take one) (6:08) |
| 6. Stairway To Heaven (vocal take two) (8:17) |
| 7. The Battle of Evermore (5:45) |
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- Plant is rehearsing and figuring out his vocals
over the master recording |
| 8. Guitar Instrumental (The Rain Song) (4:18) |
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- Parts may have been reused on "Death Wish
2"... at 3:20 sounds like "The Rover". |
9. Ten Years Gone (early demos) (7:05)
- - take one - acoustic approximation of
"Ten Years Gone" (0:00 - 1:58)
- - take two - acoustic take of "Ten Years
Gone" (1:58 - 2:27)
- - take three - similar to take two (2:27 -
3:02)
- - take four - rhythm and lead stuff from
"Ten Years Gone" (3:02 - 3:25)
- - take five - further perfecting of "Ten
Years Gone" leads (3:25 - 4:16)
- - take six - a different lead lick (4:16 -
4:42)
- - take seven - more lead guitar practice
(4:42 - 5:09)
- - take eight - more of the same (5:09 - 5:37)
- - take nine - slow lead over the "Ten
Years Gone" rhythm (5:37 - 6:02)
- - take ten - sounds like three guitars (6:02
- 6:36)
- - take eleven - closest take to the album
version (6:36 - 7:05)
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| track 1-5: with
the Bombay Orchestra, Bombay, India (March 1972) |
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1. Friends (Bombay rehearsals) (31:39)
- - conversation and noodling around (0:00 -
4:19)
- - take one - slow take with violin, sitar,
acoustic guitar, tabla (4:19 - 9:10)
- - more discussions and whistling and stuff
(9:10 - 16:00)
- - take two - another rehearsal take, ends
early (19:32 - 20:17)
- - more instructions and lots of practising
(20:17 - 26:10)
- - take three - another take with cool tabla
(26:10 - 31:39)
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| 2. Four Sticks (take one) (4:48) - lots
of tabla and a little flute, bare instrumental |
| 3. Friends (take five) (4:49) - a
complete, mixed take of the Bombay experiments... with Plant |
| 4. Friends (take eleven) (4:38) - another
mixed take from Bombay... with Plant |
| 5. Four Sticks (take two) (2:16) -another
take with more flute |
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| track 1: Old
Refectory, Southampton University, Southampton, England (Jan. 22,
1973) |
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| tracks 2-16: soundcheck,
Chicago Auditorium, Chicago, IL (July 6, 1973) |
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| 1. Love Me / Frankfurt Special (5:49) - soundcheck
fragments |
| 2. Sugar Baby (5:04) |
| 3. The Wanton Song (rehearsal) (2:37) |
| 4. The Rover (takes 1 & 2) (8:19) |
| 5. Night Flight (rehearsals) (11:01) |
| 6. School Days (3:08) |
| 7. Nadine (1:00) |
| 8. Round and Round (3:23) |
| 9. Move On Down The Line (2:51) |
| 10. Please Don't Tease (2:41) - Often
mislabelled as "Love Me Like A Hurricane", this is the
correct title. |
| 11. Move It / Dynamite (3:01 |
| 12. Shakin' All Over (2:48) |
| 13. Hungry For Love (2:25) |
| 14. I'll Never Get Over You (2:10) |
| 15. Reelin' and Rockin' (1:43) |
| 16. Surrender / Rock and Roll (3:38) |
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| track 1-9: Headley
Grange, Hampshire, England (Nov. 1973 - May 1974) |
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| tracks 10: WLIR
92.7, Westbury, NY radio broadcast (spring 1975) |
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| 1. The Wanton Song (rehearsals) / Take Me Home
(take one) (5:32) |
| 2. Take Me Home (take two) (4:43) - bad-ass
rhythm section |
| 3. In The Morning (take one) (6:10) |
4. Trampled Under Foot (rehearsals) (18:57)
- - take one - too fast, messy version,
different lyrics (0:00 - 2:18)
- - take two - close to take one, falls apart
(2:18 - 2:59)
- - discussion and noodling (2:59 - 3:59)
- - take three - funkier version with strange
guitar licks (3:59 - 6:36)
- - take four - bare take led by the guitar,
not the clavinet (6:50 - 10:48)
- - take five - similar to take four, Plant is
distant (10:56 - 13:10)
- - more messing around... cool bassline!
(13:10 - 15:22)
- - take six - closer to the album, not
perfect... (15:22 - 18:57)
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| 5. In The Morning (take two) (6:01) |
| 6. Sick Again (rehearsal) (3:47) |
| 7. The Rover (acoustic) (1:18) |
| 8. Wacky Rhythm Jam (3:14) |
9. In My Time Of Dying (rehearsals) (12:57)
- take one - fast, sloppy, and funky take with
little momentum (0:18 - 0:45)
- discussion (0:45 - 1:22)
- take two - sharper main riff, trouble with
the bridge (1:22 - 2:14)
- take three - long take close to final
version... very cool! (2:29 - 10:33)
- more discussion (10:33 - 10:54)
- take four - Bonham drums a marching beat
(10:54 - 11:15)
- more chatter and some bass noodling (11:15 -
12:23)
- take five - like take four (12:23 - 12:50)
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| 10. The Wanton Song (Radio) (3:56) |
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| track 1-10: Polar
Studios, Stockholm, Sweden (Nov. - Dec. 1978) |
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| 1. Carouselambra (take one) (11:06) - instrumental |
| 2. Wearing and Tearing (outtake) (5:57) - pretty
much identical to "CODA" version |
| 3. Fool in the Rain (outtake one) (6:14) - Latin
section not yet conceived |
| 4. Hot Dog (outtake) (3:29) - final
recording without Page's guitar solo |
| 5. In The Evening (outtake) (6:36) - similar
to the final version, more bass heavy |
| 6. South Bound Saurez (outtake) (4:18) - final
recording without Page's guitar solo |
| 7. Darlene (outtake) (5:18) |
| - longer jam at the end than on
"CODA", but close to the same length! Where's the
editing? |
| 8. Fool in the Rain (outtake two) (6:19) - much
of the same recording as on "In through the out door" |
| 9. Carouselambra (take two) (8:45) |
| 10. All My Love (alternate mix) (7:55) - longer,
unedited, alternate mix |
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| right click to save artwork |
|
| track 1-5: Victoria
Theatre, London, England (May 1980) concert rehearsals |
| tracks 6-7: Clearwell
Castle, Forest of the Dean, Wales (May 1978) |
| track 8: Boleskine
House, Loch Ness, Scotland (Nov. 1975) |
| tracks 9-11: S.R.I.
Studios, Hollywood, CA (Nov. 1975) |
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| 1. White Summer (live take one) (2:23) |
| 2. White Summer / Black Mountain Side (live take
two) (6:17) |
| 3. Kashmir (live) (8:32) |
| 4. Achilles Last Stand (live) (10:12) |
| 5. Stairway To Heaven (live) (10:09) |
| 6. Fire (Say You Gonna Leave Me) (4:43) - kick
ass studio outtake |
7. Carouselambra (early rehearsals) (12:34)
- - take one - first section, main riff,
vocals, different lyrics (0:00 - 2:53)
- - discussions (2:53 - 3:24)
- - take two - more practice of the song (3:24
- 7:25)
- - discussion and some synthesizer noodling
(7:25 - 8:34)
- - take three - still working on the song
(8:34 - 12:14)
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8. Lucifer Rising (outtakes) (5:12)
- - take one - Page's erratic violin bow/guitar
effect --- reused on "Death Wish 2" (0:00 - 1:00)
- - take two - smoother violin bow over spooky
rhythm (1:00 - 3:08)
- - take three - Indian sounding violin bow fun
(3:10 - 5:08)
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| 9. Royal Orleans (instrumental) (0:18) |
| 10. Tea For One (Hootchie Cootchie) (2:44) |
| 11. Don't Start Me Talkin' / All My Lovin' (4:55) |
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